Posts Tagged ‘The Obelisk’
Posted on Wednesday, June 17th, 2015
Lovingly pinched from The Obelisk: It is a fun coincidence of timing that High on Fire‘s seventh album, Luminiferous (released by eOne Metal), should arrive — a summer blockbuster in its own right — just one month after George Miller‘s film Mad Max: Fury Road, since the two works would seem to share so much in common.
Not merely in their thrust or in the pummel and whirlwind they’re able to conjure when reaching a similar maximum velocity, but in the ability to balance the real and the unreal while doing so. Luminiferous is High on Fire‘s second collaboration with producer Kurt Ballou, and like the movie, its nine tracks / 54 minutes are executed with minimal trickery. Real stunts. Sure, Des Kensel‘s toms and snare on second cut ‘Carcosa’ or the second half of closer ‘The Lethal Chamber’, or that of ‘The Sunless Years’, or in the midsection of ‘The Dark Side of the Compass’ have a war-drum sound to them, huge, thudding, but it’s not inorganic in its construction.
And while both movie and album can seem superficially at times to be sacrificing all else for the sake of the sheer badassery of their impact, High on Fire‘s latest is actually among their more progressive works, following 2012’s adrenaline-pumped stunner De Vermis Mysteriis – their first with Ballou — with more of a flow from one song into the next and likewise fluid shifts between tempos and flourishes of melody and emotion on ‘The Falconist’ or ‘The Cave’ to go along with all-out thrashfests like ‘Slave the Hive’ or the penultimate title-track, which is sandwiched between the two longest tracks here, ‘The Cave’ and ‘The Lethal Chamber’, both of which stand as evidence of the desire from High on Fire — guitarist / vocalist Matt Pike (also Sleep) and bassist Jeff Matz, in addition to Kensel — to continue the creative development that’s been there to hear all along throughout their 17-year run for anyone willing to look under the sometimes-masking layer of raw brutality.
Even if Luminiferous is better constructed and more dynamic overall than was De Vermis Mysteriis, its opening salvo is still geared toward finding out how big of a crater it can make. Opener ‘The Black Plot’ has its hook but is among the record’s nastier thrashers, Pike following his guitar and taking a somewhat surprising melodic turn in the chorus vocally as Kensel and Matz hold together a gallop that’s as much of a signature move as High on Fire has.
Continue reading: THE OBELISK | REVIEW | High on Fire – Luminiferous
(Courtesy of JJ Koczan / The Obelisk)
Posted on Friday, June 5th, 2015
Lovinly pinched from The Obelisk: For those who would be inclined to do so, there are really two ways to take on listening to Weedeater at this stage in their career. One can take a record like the 10-track / 34-minute Goliathan, the fifth full-length of their 17-year tenure, first for […]
Posted on Friday, February 20th, 2015
Lovingly pinched from The Obelisk: There are really two approaches one might take in considering Lore, the third full-length from Massachusetts trio Elder, released in the US by Armageddon Shop and in Europe on Stickman Records. The short way is to say they’ve turned from the deep-toned heavy psych style […]
Posted on Wednesday, February 18th, 2015
Lovingly pinched from The Obelisk: There is an almost singular groove running through Between Our Past and Future Lives, the BloodRock Records debut full-length from Finnish four-piece Abbot. Not in the sense of songs sounding the same — though tones are at least consistent — but just that the material […]
Posted on Thursday, February 12th, 2015
Lovingly pinched from The Obelisk: While the title immediately evokes connotations for the band itself, the fact remains that Torche‘s Restarter could just as easily refer to an interpersonal relationship or someone who decides to go back and beat Super Mario 3 again. The lyrics for the song itself, which closes out Torche‘s 10-track / 39-minute Relapse […]
Posted on Tuesday, February 3rd, 2015
Lovingly pinched from The Obelisk: At 81 years old, alto saxophonist Sonny Simmons has overseen a career that spans decades in forward-thinking jazz. The Dec. 2014 Svart Records release, Nomadic, is nonetheless one of two full-lengths Simmons issued last year, the other being Leaving Knowledge, Wisdom and Brilliance on Improvising Beings. For the four songs of Nomadic, Simmons partners with sitarist Michel […]
Posted on Friday, January 23rd, 2015
Lovingly pincehd from The Obelisk: Portland, Oregon’s Lord Dying deliver an efficient sludge-thrash beatdown on their second album for Relapse, Poisoned Altars. The follow-up to their 2013 debut, the Sanford Parker-recorded Summon the Faithless, the eight-track / 34-minute Poisoned Altars was recorded by Joel Grind of Toxic Holocaust and arrives as the answer to anyone’s question as to […]
Posted on Friday, January 9th, 2015
Lovingly pinched from The Obelisk: The story gets kind of complicated, so stick with me. In 2010, then-Iowa-based psych / prog five-piece Mondo Drag released their Alive Naturalsound debut, New Rituals (review here), which was full of ’70s-style lysergic serenity, open spaced guitars and heady vibes. It was, in short, […]
Posted on Friday, July 18th, 2014
Lovingly pinched from The Obelisk: Chicago death-doom outfit Novembers Doom released their first album in 1995, nearly 20 years ago now. They weren’t the first American death-doom act, and there were others who solidified around the same time, but Novembers Doom were easily among the earliest adopters of a dramatic melancholy most […]
Posted on Tuesday, July 8th, 2014
Lovingly pinched from The Obelisk: Over the last two-plus decades, John Garcia‘s voice has set the standard for the sound of the California desert. His work in genre-progenitors Kyuss speaks for itself — loudly, and with much fuzz — and subsequent outfits Unida, Slo Burn, Hermano and more guest appearances than one can count […]