Posts Tagged ‘The Obelisk’
Posted on Friday, September 4th, 2015
Lovingly pinched from The Obelisk: Looking at the ascendancy of the UK’s Uncle Acid and the Deadbeats (often stylized with a lowercase ‘d’ on the last word) over the last half-decade is like staring into the abyss of our own worst impulses, and it seems unlikely the band would have it any other way.
Portrayals of murder, exploitation, the celebration of cult mindsets, all provide the VHS-grained fuel for the four-piece’s fire. Their aesthetic accomplishments have been beyond considerable. Since debuting in 2010 with the only-20-made-and-never-reissued Vol. 1, Uncle Acid made their breakthrough in 2011 with Blood Lust, which was subsequently reissued as their first offering through Rise Above Records, then in partnership with Metal Blade.
Their third album, Mind Control, followed in 2013, and by then their influence had already begun to spread to a league of up-and-coming groups interested in capturing a similar style of lo-fi garage doom and psychedelia. That influence has only increased its span as Uncle Acid began to establish a presence as a live, and subsequently touring, act, and their fourth full-length, The Night Creeper, arrives through Rise Above with the band — guitarist / vocalist Kevin R. Starrs, guitarist /vocalist Yotam Rubinger, bassist / backing vocalist Vaughn Stokes and drummer Itamar Rubinger — positioned as forerunners of a style they helped create, having fostered a sound that has retained its immediate identifiability despite a growing number of players in the US, UK and Europe taking cues from it.
Plenty out there are trying, but no one sounds as much like Uncle Acid as Uncle Acid. Their sonic individualism has been a great source of their success up to this point.
Couple that individual style with songwriting so memorable as to make tracks about stabbing people seem like generational landmarks, a classic mystique and a balance between wider-market conceptual horror appeal and preaching-to-the-converted Sabbathism, and Uncle Acid and the Deadbeats‘ reach is as multifaceted as the band’s hooks are infectious. The Night Creeper, the bulk of which was tracked live by Liam Watson of Toe Rag Studios in London, does nothing to interrupt Uncle Acid‘s momentum.
Continue reading: THE OBELISK – REVIEW: Uncle Acid and the Deadbeats, The Night Creeper
(Courtesy of JJ Koczan / The Obelisk)
Posted on Monday, August 31st, 2015
Lovingly pinched from The Obelisk: Don’t let its minimalist cover fool you, Carousel‘s 2113 is brimming with life. The Pittsburgh four-piece’s second offering through Tee Pee Records after a raucous debut two years ago with Jeweler’s Daughter, the nine-song /4 6-minute collection also marks the arrival of guitarist Matt Goldsborough, who doubles in labelmates The […]
Posted on Wednesday, June 17th, 2015
Lovingly pinched from The Obelisk: It is a fun coincidence of timing that High on Fire‘s seventh album, Luminiferous (released by eOne Metal), should arrive — a summer blockbuster in its own right — just one month after George Miller‘s film Mad Max: Fury Road, since the two works would […]
Posted on Friday, June 5th, 2015
Lovinly pinched from The Obelisk: For those who would be inclined to do so, there are really two ways to take on listening to Weedeater at this stage in their career. One can take a record like the 10-track / 34-minute Goliathan, the fifth full-length of their 17-year tenure, first for […]
Posted on Friday, February 20th, 2015
Lovingly pinched from The Obelisk: There are really two approaches one might take in considering Lore, the third full-length from Massachusetts trio Elder, released in the US by Armageddon Shop and in Europe on Stickman Records. The short way is to say they’ve turned from the deep-toned heavy psych style […]
Posted on Wednesday, February 18th, 2015
Lovingly pinched from The Obelisk: There is an almost singular groove running through Between Our Past and Future Lives, the BloodRock Records debut full-length from Finnish four-piece Abbot. Not in the sense of songs sounding the same — though tones are at least consistent — but just that the material […]
Posted on Thursday, February 12th, 2015
Lovingly pinched from The Obelisk: While the title immediately evokes connotations for the band itself, the fact remains that Torche‘s Restarter could just as easily refer to an interpersonal relationship or someone who decides to go back and beat Super Mario 3 again. The lyrics for the song itself, which closes out Torche‘s 10-track / 39-minute Relapse […]
Posted on Tuesday, February 3rd, 2015
Lovingly pinched from The Obelisk: At 81 years old, alto saxophonist Sonny Simmons has overseen a career that spans decades in forward-thinking jazz. The Dec. 2014 Svart Records release, Nomadic, is nonetheless one of two full-lengths Simmons issued last year, the other being Leaving Knowledge, Wisdom and Brilliance on Improvising Beings. For the four songs of Nomadic, Simmons partners with sitarist Michel […]
Posted on Friday, January 23rd, 2015
Lovingly pincehd from The Obelisk: Portland, Oregon’s Lord Dying deliver an efficient sludge-thrash beatdown on their second album for Relapse, Poisoned Altars. The follow-up to their 2013 debut, the Sanford Parker-recorded Summon the Faithless, the eight-track / 34-minute Poisoned Altars was recorded by Joel Grind of Toxic Holocaust and arrives as the answer to anyone’s question as to […]
Posted on Friday, January 9th, 2015
Lovingly pinched from The Obelisk: The story gets kind of complicated, so stick with me. In 2010, then-Iowa-based psych / prog five-piece Mondo Drag released their Alive Naturalsound debut, New Rituals (review here), which was full of ’70s-style lysergic serenity, open spaced guitars and heady vibes. It was, in short, […]