Posts Tagged ‘pitchfork’
Posted on Thursday, September 3rd, 2015
Lovingly pinched from Pitchfork: For a moment, you think that the onslaught is over, that after eight minutes of dramatic strings and overdriven guitars, punishing drums and punished vocals, the big Texas metal band Dead to a Dying World will at last offer a respite. After all, they’ve already detailed environmental degradation, screaming lines about nature’s revolt and grand-finale floods as rhythm and riff crack and lash against one another.
But when Dead to a Dying World at last pull back during ‘Beneath the Loam’, one of four quarter-hour marvels on their second album, Litany, it is only to regroup and instantly return with twice the speed and twice the fury.
“Brittle embers flicker inside,” screams Heidi Moore, pushing her voice so hard above the sudden black metal melee that she takes full stops between every word. “Where blasting suns once raged.” It’s a shocking and gripping moment, a jolt applied with unapologetic force and impeccable timing amid what was already a mighty furor.
That sort of escalation is exactly what Dead to a Dying World do so well throughout Litany, a vivid hybrid of doom, black metal, and crust punk, buttressed by baroque classical flourishes. Dead to a Dying World’s 2011 debut pursued a similar mix, with doom lunges and black metal surges woven together with string sections and riffs that expanded or contracted based upon the context.
The idea, though, often outstripped the execution, so that the transitions between those parts felt threadbare and rushed, the rookie mistakes of an audacious new seven-piece ensemble. Four years later, however, Dead to a Dying World show no such signs of folly. These six deliberate pieces commingle melodrama and momentum, horror and hope, pulling the listener along like some tight-wire suspense flick.
Continue reading: Dead to a Dying World: Litany | Album Reviews | Pitchfork
Posted on Wednesday, August 12th, 2015
Lovingly pinched from Pitchfork: When people talk about Chelsea Wolfe, they’ll often mention that the Los Angeles musician covered the controversial Norwegian black metal artist Burzum‘s ‘Black Spell of Destruction’ a few years ago, and that though she plays folk music she counts plenty of metalheads among her fans, including […]
Posted on Wednesday, August 5th, 2015
Lovingly pinched from Pitchfork: Ecstatic Vision want to get you high. On the band’s five-song and very fun debut LP, Sonic Praise, the three Philadelphia bros holler about an “astral plane where our herb will suffice,” urge their audience to forego homes and bosses for a trip “through the astral […]
Posted on Friday, May 29th, 2015
Lovingly pinched from Pitchfork: The Children of the Night, the glorious third album from Swedish metal charmers Tribulation, begins with an invitation. A backdrop of cello, church organ and piano gives way to a midtempo full-band rumble, and then Johannes Andersson grunts like a mad old man curling a finger […]
Posted on Monday, March 9th, 2015
Lovingly pinched from Pitchfork: If you’re a newer band playing a classic form of metal, you need to be concerned with songwriting. With such a strong history behind you, putting together songs worth playing twice is more important than preserving vibes. Philadelphia doom quintet Crypt Sermon prove they’ve got plenty […]
Posted on Tuesday, January 27th, 2015
Lovingly pinched from Pitchfork: The Body and Thou must get bored easily. During the last decade, both of these delirious doom metal squads have issued records at startling clips, the pace sometimes so speedy it’s as if they’re desperate to outrun the doomsdays of which they so often yell. Apart […]
Posted on Wednesday, January 21st, 2015
Lovingly pinched from Pitchfork: When I saw the German black metal band Ascension at Maryland Deathfest in 2013, they were among the most memorable acts, largely because it was hard to know what to make of them. After being battered with a weekend of booze and an especially pulverizing set […]
Posted on Monday, January 12th, 2015
Lovingly pinched from Pitchfork: For the noise musician Mark Solotroff, Ciphers + Axioms ends in very familiar territory. For eight minutes, amplifiers and instruments scream the sort of feedback, static, and clipped tones that are endemic both to his caterwauling power-electronics band Bloodyminded and his long-running extreme experimental imprint, Bloodlust! […]
Posted on Wednesday, June 4th, 2014
Lovingly pinched from Pitchfork: Spanish duo Teitanblood have never cared much for niceties, preferring to lambast their hapless listeners with walls of horrific noise. Death, their second full-length is a bitter pill to swallow. Their sound is ugly and intense; it’s not all black metal, and though some of the […]
Posted on Thursday, May 29th, 2014
Lovingly pinched from Pitchfork: Swans were hardly the first 1980s underground-rock fixtures to resurface in the new millennium, and they’re not the only ones who’ve resisted the nostalgic trappings of reunion tours to make a respectable showing as a rebooted recording act. But they are the rare band of their […]