Lovingly pinched from The Obelisk: For a few minutes, let’s try and remove Colour Haze’s 10th studio outing, She Said, from the context in which it was created. Those who’ve followed the groundbreaking German heavy psych trio’s progress over the time since their last album, 2008’s All, was released know She Said is a long time coming, the Munich trio having hit technical snags enough for three records, let alone one.
They built and rebuilt a studio in the process, but as the sounds of the finished versions of She Said’s eight component tracks are sweet enough to make one forget nearly anything, it doesn’t seem like a stretch to pull the record out of the tumult and examine it on its own level. Colour Haze in 2012 is a different band than was Colour Haze in 2008. Not in the lineup of guitarist / vocalist Stefan Koglek, bassist Philipp Rasthofer and drummer Manfred Merwald, which has remained consistent since 1998, but in plenty else.
Of course, they’ve played shows all along the four-year span between records – European touring, stints at Duna Jam and Roadburn, etc. – but even outside the band, the context in which She Said arrives is different than that which met All when it came out through Koglek’s Elektrohasch Schallplatten imprint, itself a driving force in European heavy psych.
The climate was different. Colour Haze had been on a hot streak of genre-defining records that included 2003’s Los Sounds de Krauts, 2004’s Colour Haze and 2006’s Tempel, but even All couldn’t anticipate the explosion of bands who have emerged in the subsequent years who’ve taken influence from Colour Haze’s tonally warm, jam-ready aesthetic. With She Said, they emerge as leaders of a scene they helped create.
Whether it’s younger acts like Sungrazer, The Machine and Wight or their peers as much as they have any, Colour Haze have had a pervasive effect on their surrounding European scene – one can hear elements of theirs in American bands like Elder as well – and She Said is their first album to be released since that scene around them solidified as a group of bands touring and issuing works of their own. So even in the timing, much-hindered though it has been, She Said captures Colour Haze at a special moment in their career.
But though the album arrives with twice the longest stretch between records since this lineup came together, it’s important to remember that these songs have likely been in the works for two years already. Pieces may have been added and expanded along the way, but stylistically, She Said shouldn’t be expected to be any more of a leap from All than All was from Tempel, or Tempel from the self-titled, and so forth.
However, Colour Haze have always shown a distinct drive toward progression, have never failed to evolve from one collection to the next, and that applies as well to She Said, which though it seems to work in a lot of the same moods and atmospheres as All, is relentless in its pursuit of taking those ideas further.
Continue rreading: The Obelisk: REVIEW: Colour Haze, She Said
(Courtesy of JJ Koczan / The Obelisk)
This entry was posted on Wednesday, September 19th, 2012 at 4:24 pm and is filed under 2012, Album of the Day, Roadburn Recommended . You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.